Bauhaus Ausstellung 1923 Weimar by Wassily Kandinsky Alma Moholy-Nagy treats the circle not

Moholy-Nagy treats the circle not as symbol but as pure visual form

every engraved line and tonal wash comes through with faithful sharpness

The image balances decorative appeal with clear visual hierarchy: the animal subject commands the frame while the typography grounds the design in its cultural moment

This archival fine art print is produced on matte fine art paper

the work's fine botanical linework and subtle tonal gradations are preserved in full

Bauhaus Ausstellung 1923 Weimar by Wassily Kandinsky Alma Moholy-Nagy treats the circle notDesigned by Wassily Kandinsky for the first major Bauhaus exhibition in 1923, this graphic work is a concentrated statement of Bauhaus principles circle, triangle, and square arranged in dynamic tension, primary colours assigned to elemental forms in a composition that functions as both poster and manifesto. The design operates at the intersection of abstract painting and graphic communication, translating Kandinsky's colour theory into a visual